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Untitled Document
COVER ARTIST
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Kim, Sangsoon |
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ߣ⩠74 x 71cm |
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Absolute Freedom from materials,
Image Art of Expressionism.
Written by Kim, Nam Soo / Art Critic
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Every great artist has his own drawing
style and language. For example, famous artists like Picasso, Chagall, Van
Gogh, Cezanne and Dali have their own language and express their creative
world which has nothing to do with others¡¯. Their drawings are significantly
distinguished, even by a glance. Although there should be more assessment
by future historians, but there are Park Su Geun and Lee Jung Seop for |
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western painting, and Gyumjae Jeong Seon, Owon
Jang Seung Up and Sanjeong Seo Se Ok for Korean traditional painting as
renowned painters in Korea. Especially, Sangjeong Seo Se Ok who is still
alive became famous global artist thanks to FIAC Art Fare in Paris in the
middle of 90¡¯s with Ibn Klein Jr.(À̺ì Å©¶óÀÎ ÁִϾî), a master of abstractionism.
Seo got space for 20 paintings (162 x 112 cm) in Basel Art Fair in Switzerland
and |
¼±¿î»ç ±Ù°æ 53 x 41cm
ߣ⩠68 x 62cm
was invited by the board, which was unprecedented in the history of the
Fair. He was also invited by RISD University in America, which is famous
for its tradition and authority.
Sanjeong Seo Se Ok is a key person who modernized Korean painting and
contributed a lot to Korean abstractionism. |
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ºÏÇÑ»ê 74 x 71cm
He would be remembered in Korean Art history forever, since he was highly
estimated not only in the Korea but in the world as well. He was recognized
as an artist of the world in FIAC of Paris. He went into headlines of
¡°Artpress de la Bojar¡±, an art paper of that time which extolled works
of Seo, and attracted attentions of painters and critics. |
Åõ°è 106 x 68cm
¿°¼Ò 73 x 46cm
ߣ⩠54 x 71cm |
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RISD, an American university that has the
longest history and most renowned museum, presented an honorary doctor¡¯s
degree to Seo and held commemoration exhibition for Seo. Some of his works
are now exhibited in the museum with the works of masters, like Picasso,
Rouault, Matisse and Chagall.
A prominent French Critic Michel Nurizani(¹Ì¼Ð ´©¸®ÀÚ´Ï) wrote a critic for
Seo under the title ¡®Beauty of elegance and flash¡¯ and she described Seo¡¯s
works like as follows; ¡®Indian ink disperses like thunderbolt but slowly
on the paper. Feather-like hand which flies involuntarily leads the paint
and is sometimes led by paint to create a line. Abysmal Black breaks out
the line and spreads on the paper smoothly and buoyantly, and resolute
ink lines which float mysteriously seem to chase something fleeing. No
doubt he is one of the best artists in the world ?omission from here on.¡¯
It is an international assessment of oriental spirit by western people.
Mookdang Kim Sang Soon, an artist who decorated cover of this magazine
was taught by SanJeong Seo Se Ok in Seoul University, and was highly influenced
by his distinguished teacher. He was an initial member of Mook-Lim-Hoe,
and his works were the most influenced by his teacher among his colleagues.
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Mookdang Kim takes middle path of
expressionism and sublimates permanent law of nature and universe in his
own language. Only repeat of language pervades in modern art whose tradition
is improvised, just like a flower without root due to unimaginative method
without spirit. Hasty attempts never can last long and always come back
as disappointment. Thus, methods against modern rules never can get out
of mockery or fabrication, therefore are remembered as similar mimicry,
mutant or eccentricity and stuck inside the limitation. |
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Investigation on works of Kim Sang Soon, who
becomes 71 in this year, would offer an educational opportunity for juniors
to appreciate the essence of art through painter¡¯s works and life and to
reflect on their lives. Kim had devoted a lifetime to raise juniors but
left campus 6 years ago by reason of his chronic disease. However, his farewell
also can be interim closing of old artist, and a restart as full-time artist
who aims at real art. From here, it will deeply analyze his history of art,
including reflection on his idealism, conception and subjects and appreciation
of his works. |
Å嫃 ´ë¹ç°ñ 60 x 60cm
Philosophy of metaphysical
ideal
There are 3 stages in his art history of learning and creating; abstractionism
from 60s to 70s using Indian ink, neo-landscape drawing as a high school
teacher, and research stage of expressionism in recent works. He drew
through-composed pictures of mountain; he expressed real view of the mountain
in early stage, and he alters expression method, techniques and medium
afterward. In last stage, he infiltrated colors to drawings and inside
of mountain, therefore completed his own style thorough suitable mix of
color and Indian ink.
From 1990s until now, image works which realized basic root of Mother
Nature have been initiated. He thought that creation, extinction of nature
and origin of everything were originated from order of cosmos, which consisted
of plus and minus, and the principle of relativity. Then his own aesthetics
was born based on oriental cogitation and philosophy. In other words,
specific space expression and configuration of Indian ink was integrated,
and eventually achieved composition of modeling. |
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Although rectangular space of canvas was limited,
image, shape, subject and thinking of painter expanded to unlimited space
and that freedom always has been resided in deep part of his mind as creative
will. His images was condensed and reduced, and his minimized language
was expressed as concise symbol. His works eventually suggested new concept
of Korean beauty, as he achieved new modeling order of re-creation and
re-organization.
Grammar and Modeling theory of the Artist
His works are originated from aesthetics of lines and energy modeling
of plus and minus, condensed partition of plane, space, configuration
and presentation image, reunion and coexistence from the principle of
relativity, compilation of space. He displayed creative artistic works
with new lines and aesthetic sense. When he drew his ideal, he reached
highbrow level that finished each line and dot with a stroke of brush,
based on enough practice of technique and spirit. In other words, he lapsed
into a new spiritualism which was |
À¯¿µ 70 x 46cm
ßúÖãÓñ 72 x 94cm
ߣ⩠68 x 68cm
substantially different from technique
ideology, like drawings of nobility and neo-modeling scenery drawing. He
enjoyed absolute freedom and liberation from tradition, and created his
own space regardless of objects. Simple copy of nature was worthless, and
he tried inside the representative and non-representative world of paintings
as he freely used traditional techniques like Gampil, Balmook, Pamook and
Seonyum. Now his works are origin of every existing, and he has realized
genuine aesthetics through philosophy of moderation. He insists that everything
like meeting and farewell, the reason of |
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coexistence of day and night, sky and earth,
nature and human beings can be sublimated by aesthetics. Drawing philosophy
of Mookdang Kim Sang soon is condensed into minimum language, and his
abstract thinking which omitted tedious description is like a flash created
by novel idea of compression and curtailment.
Many great scholars and veterans of oriental drawing chose Taoism or
Yook-Jo-Dan-Gyung to express new aesthetics. However, Mookdang chose jh?na
and general Taoism to |
deepen his another range of creation.
He fully understood that drawing could be mastered through inward eyes
and never by naked eye, which only can obtain simple features of object.
In other word, his objects like Korean mountain, cliff, valley, deer and
ten traditional symbols of long life are ways to contemplate and watch
nature, but a matter of no great import.
In conclusion, the works of Mookdang Kim Sang Soon are as free as Yoo-Cheon-Hee-Hae
thinking of Chusa, and aesthetics of freedom pervades in his works. His
works move all over the creation, and offer metaphor of massive order
of universe. Aesthetics of image is painter¡¯s concept of universe and
real substance of aesthetics. Permanent order of nature is implied in
his works, and it was constructed upon diverse attempt, passion for various
changes, confliction, life stress, challenge and new attempt to get close
to unknown world. All these factors are complicatedly compounded and expanded,
and have affected whole artistic world of Mookdang Kim Sang Soon.
Mookdang Kim Sang Soon was born from Kimje, Jeollabuk-do in 1936. He
devoted himself as a teacher as soon as he graduated Art department of
Seoul Nat¡¯l University, and left the educational world as a principal
of Seocho Middle School. Expressionism pervaded in Korea in 1960s, and
Mookdang as a member of early stage contributed a lot to establishment
Mook-Lim-Hoe, which was initiated around Seo Se Ok. He has worked as a
member, and has kept his principle of drawing until now. He opened several
exhibitions in Korea and some foreign countries, and worked as a stubborn
artist who has kept one¡¯s own way. |
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±è»ó¼ø / ÙøÓÑ ÐÝßÓâè / Kim, Sangsoon
• ¼¿ï´ëÇб³ ¹Ì¼ú´ëÇÐ Á¹¾÷ (1957)
• Ùø×ùüåê¬î÷ ¦UðÈàØìíÜà úÞÓÛíÂÊ« ôýÓâî÷
• ÏÐð·í»ë¦Ú¸âú ôýÓâî÷ ¦UùÛÏÐûþüåê¬ óÜØ¡î÷
• ÓÞùÛÚÅÏÐ ÏÐî÷ ÀÔ¼± 3ȸ, Ư¼± 2ȸ
• ùÛÏÐ êªÖÕ ñìòå íÂÊ«ôýÓâî÷
• ¾Æ¼¼¾Æ úÞÓÛÚ¸âúôýÓâî÷
• ùÛ?¾Æ¶ø Îß×µ ôýÓâî÷
• ùÛÏÐÚ¸âúíÂÊ«úðüå µ¿¾çȺаú ÀÌ»ç
• ùÛÏÐúÞÓÛÚ¸âú ôýÓâíÂÊ«î÷
• µ¶ÀÏ ½´¹ß¹ÙÈå ÃÊ´ëÀü
• ßúìé ñéùÊÎèíþ, ÓìáøñéùÊÎèíþ, ñéê«ñéùÊÎèíþ
• Çö:ùÛÏÐûþüåê¬, ùÛÏÐÚ¸âúúðüåê¬, ÏÐð·ðãû¡âúúðüå ùÛÏÐêÍê¬üåê¬
• Graduated from College of Fine Art, Seoul National Univ.
(1957)
• Mooklim(Oriental Painting)Association Members Exhibition
• Modern Fine Artist Invitation Exhibition Sponsored by the
Choseon Daily Co.
• International Free-fine Art Invitation Exhibition
• Exhibition for Foundation of Han-Kuk(Korea) Oriental Painting
Association
• Award Special Prize from the National Art Exhibition (3Times)
• Award General Prize from the National Art Exhibition (2Times)
• Korean top Senior Fine Artist Exhibition
• Asia Modern Fine Art International Exhibition
• Exchange International Exhibition of Fine Art between Korea
And Arabia
• Director of the Oriental Painting Department Korea Fine Artist
Association
• Korean Modern Fine Art Invitation Exhibition
• Invitation Exhibition for Korea's 100 Fine Art Representatives
• Korea Find Art Exhibition held in Germany
• Principal of Soil Middle School, Principal of Doksu Middle
School, Principal of Choongwon Middle School
• Present: A member of Oriental Fine Art Association, A member
of Fine Art Association, A Korean Member of International formative
Art Association
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